| MARINA ROSENFELD
BORN 1968 New York, NY
EDUCATION 1994 M.F.A., California Institute of the Arts
1990-91 B.A., Harvard
SOLO EXHIBITIONS/PERFORMANCES
2001 sheer frost orchestra, Whitney Museum at Phillip Morris, New York
2000 "Pro Musica Nova", Radio Bremen, Germany
"Next Sex", ars electronica 2000, Linz, Austria
1999 "the heavens & madscene", Curt Marcus Gallery, New York
Sheer Frost Orchestra, Wattis Artist Residency, Yerba Buena Center for the Arts,
SanFrancisco
Platform Für Zeitgenössiche Kunst, Luzern, Switzerland
Musikprotokoll (Steirische Herbst), Graz, Austria
1998 Resistance Fluctuations Festival, Los Angeles
Echoraum, Vienna, Austria
"the forest & the garden", Curt Marcus Gallery, New York
"Wall Project", Rosamund Felson Gallery, Santa Monica
1997 The Sheer Frost Orchestra, Greene Naftali Gallery, New York
1996 The Sheer Frost Orchestra, SoundCulture 96, Mills College
The Sheer Frost Orchestra, Los Angeles Contemporary Exhibitions,
GROUP EXHIBITIONS/PERFORMANCES
2001 "Group Exhibition," Curt Marcus Gallery, New York
2000 "The Invisible Touch", Kunstraum Innsbruck, Austria (cur. Maia
Damianovic)
"Philosophy of the Bedroom," Or Gallery, Vancouver, BC
"Multiples, Plattform für Zeitgenössische Kunst, Luzern
"Electroluxe", Tonic, New York
"Wein/Berlin: Unter Strom," Podewil, Berlin
1999 "Sounds Like Art", Yerba Buena Center for the Arts, SanFrancisco
"East of Eden: Profane Gardens", Guggenheim Gallery, Chapman University,
Orange, CA
1998 "Fantastic Matter of Fact: LA on Paper," Galerie Krinzinger,
Vienna (cur. Dave
Muller)
"20th Anniversary Exhibition", The New Museum, New York
"Superfreaks: Post Pop and the New Generation, part II: Odyssey",
Greene Naftali Gallery,
New York
"Im Still in Love With You", Twentieth Century Womens
Club, Los Angeles (curator
Steven Hull)
Sound Performances, Wahlverwandschaften, Appenzell, Switzerland
"Fragment opera 3", Downtown Arts Festival: Three-day Weekend, New
York
"Oral Abstractions", Armory Center for the Arts, Pasadena
"angels gate 6.16.98 dusk", Angels Gate Cultural Center, San Pedro
1997 Untitled (99 luft balloons) with Eric Erlandson, Georges, Los Angeles
The Sheer Frost Orchestra, Greene Naftali Gallery, New York
"Hot Coffee," Artists Space, New York (cur. Tom Lawson)
"Over 21", The Art Bank/L.A.
"Her Eyes Are A Blue Million Miles (version)", Three Day Weekend at
Jason Rhoades
Gallery, London
"Ear as Eye: Drawings by Sound Artists", Los Angeles Contemporary
Exhibitions (curs.
Brandon Labelle and Steve Roden)
1996 The Sheer Frost Orchestra, SoundCulture 96, San Francisco Art Institute
(at Mills College)
The Sheer Frost Orchestra, Los Angeles Contemporary Exhibitions (LACE)
"Seven Deadly Sins" Pride, Beyond Baroque Literary Arts Center, Venice,
CA
"Do You Want New Wave, or Do You Want the Truth? Bands Curate Art",
Art
Initiatives, NY (curs. Tim Folijian and Steve Shelley)
1995 "Errant Bodies Performance Series", Huntington Beach Art Center,
CA
1994 "30 Seconds", Transmissions Gallery, Glasgow and California Institute
of the Arts, LA
1993 "Holyrolyover A Circus" (John Cage retrospective), Museum of
Contemporary Art, LA
DISCOGRAPHY
2000 madscene 1, madscene 2, madscene 3, madscene 4. 12" acetate records,
ed. of 1. (Self produced)
sheer frost orchestra/remix project. CD (forthcoming: Fall 2000). Charhizma
Records, Vienna
1999 the heavens (frag.) 1999. 7" vinyl record, ed. of 1000. Yerba Buena
Center for the Arts, CA
the heavens1, the heavens2, the heavens3, the heavens4. 12" acetate, ed.
of 1. (Self produced)
1998 theforestthegardenthesea music from fragment opera, CD. Charhizma
Records (Vienna)
"Im Still in Love With You", Simply Beautiful. CD. (comp.: ed.
Steven Hull)
waltz 1, waltz 2, waltz 3. 12" acetate records, ed. of 1. (Self-Produced)
1997 Opera: fragment, ArtPix Electronic Arts Magazine (CD-rom project, cur.
by Tom Lawson)
the sea1, the sea2, the sea3, the sea4. 12" acetate records, ed. of 1.
(Self-produced)
1996 theforestthegarden. 7" vinyl record, ed. of 20. (self-produced)
SELECTED BIBLIOGRAPHY
2000 _________, "Marina Rosenfeld," The New Yorker, January 24, 2000
Christian Scheib, "disconcertingly beautiful: Marina Rosenfeld," Positionen
#4
Christian Scheib, "Marina Rosenfeld," SKUG: Journal fur Musik
Fadi Doringer, "Ridin A Train: Marina Rosenfeld", catalogue
essay, "Next Sex": ars
electronica 2000
1999 Felix Klopotek, "Marina Rosenfeld," Spex Magazine
Edith Arnold, "Dort, wo wir leben: Interview with Marina Rosenfeld,"
Apero Luzern
Kenneth Baker, "Sound Dances at Yerba Buena," San Francisco Chronicle
Rene de Guzman, "Sounds Like Art" (catalogue essay), Yerba Buena Center
for the Arts
trav, "fast schon mikrowellenmusik
: theforestthegardenthesea,"
De-bug
Christian Scheib, "Interview with Marina Rosenfeld," Ö1 (Austrian
national public radio)
Carl Stone, "Interview with Marina Rosenfeld," KPFA San Fransisco
Bill Mayer, "theforestthegardenthesea," Signal to Noise #14
1998 Ken Johnson, "Art in Review: Marina Rosenfeld," New York Times
Martha Schwendener, Time Out New York
Peter Frank, "Oral Abstractions: Experimental Music Pick of the Week,"
L.A. Weekly
Paul Anderson, "New Music Gallery," Pasadena Weekly
Mark Swed, "Resistance Opens Ears to New Music," Los Angeles Times
Alan Rich, "A Fluctuating Sameness," L.A. Weekly
Peter Frank, "I Candy and Marina Rosenfeld: Art Pick of the Week,"
L.A. Weekly
1997 Phoebe Hoban, "Music Only an Artist Can Love?" New York Times
David Greene, "Hot Coffee," Frieze
Jerry Saltz, "Regular, No Sugar," TimeOut New York
Peter Schjeldahl, "La-la Band," Village Voice
John Payne, "Scoring the Clubs," L.A. Weekly
John Payne, "Marina Rosenfeld and Eric Erlandson," L.A. Weekly
1996 John Payne, "Marina Rosenfeld and the Sheer Frost Orchestra: Experimental
Music Pick of
the week," LA Weekly
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